YAMA
Antoine d'Agata jumonji Each structure is like a

Each structure is like a dark omen

表現者にはそれぞれのテーマと手法があって、さらに受けてのニーズは様々なので、ある光景を創造や演出で創り出したり、または周囲からリアルな場面のみを撮り残したり、またはリアルと演出を掛け合わしたり、敢えてネガティブなものを表現する手法もあります。いずれにしても自分が欲し得意とする手法でそれぞれのテーマを追い求めているのです。

I am able to see from within this rich culture that tells many stories of youth and fame that expand beyond the small world of skateboarding and speak of human commonalities

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from which I could do my choice

YAMA<br />Antoine d'Agata jumonji Each structure is like aIn 2011, Antoine d'Agata is in Cambodia, exploring and documenting further the space between photography and his own experience. In the closed space of a windowless room with wooden walls painted red, he engages with L, an ice addict prostitute who will die soon. Until the end, she uses pleasure as a way to impose her existence to a world that denies her every other right. In the wicked circles of social violence, where desire cannot be separated from