Prophet with No Tongue José Ortiz-Pagán was a very special and

was a very special and enriching time for me and I eventually opened out to explore catastrophes like 9/11

For many years

what may be considered the conflict between the attitude of denial toward the norm and picture making and the desire to paint

The printmaking process demanded she move beyond her characteristic restraint

Not long ago

Prophet with No Tongue José Ortiz-Pagán was a very special andThis print is constructed of cut paper inked with colors that evoke a city skyline. The deep blue is punctuated by bright pinks and yellowsevidence of bright lights in a bustling metropolisand the irregular shape evokes a silhouetted cityscape. Mary Lovelace ONeal worked primarily as a painter until 1984, when Robert Blackburn invited her to his printmaking studio. Captivated by the print medium, she created this work at the Brandywine Workshop in