Philly/Spring 29 x 21 1/2 inches contrasting insignificant humans coping with

contrasting insignificant humans coping with the grandness of the structure they occupy

Foremost though is the description of the Iron as a domestic tool form here I link slavery to domestic work as its most extreme is servitude

it turned into a sharing the folkloric art of Cascarones to assist others

31 x 46 inches

carries the weight of imagery that is anything but — scarification is intimate

Philly/Spring 29 x 21 1/2 inches contrasting insignificant humans coping withFrom the Artist These four panels resonate [with the]imagery of the seasons in Philadelphia. Most of my work in the past has reflected my memories of Texas, where I was born and raised. The thought of reflecting [on] my second home, Philadelphia, with the four seasons, gave me a chance to live in andfor the moment. From Brandywine Workshop and Archives records My work has been an ongoing narrative of past experiences, memories, and modern day