You Strike a Woman, You Strike a Rock / Wathint’ Abafazi, Wathint’ Imbokotho Fearghal McGarry It shows how Latino Mormons

It shows how Latino Mormons have developed ethnoreligious barrios (communities) to function as sacred ethnic collectives where their religious beliefs and cultural practices can intersect

Do we increasingly resort to prisons and punishment instead of schooling and moral education to control young people

resonating within the society as a whole and at the same time connecting disparate and even hostile constituencies

who was born in the Eastern Cape but lived most of his scholarly life in exile

Two men may love her—or love who they think she is

You Strike a Woman, You Strike a Rock / Wathint’ Abafazi, Wathint’ Imbokotho Fearghal McGarry It shows how Latino MormonsYou Strike a Woman, You Strike a Rock Wathint Abafazi, Wathint Imbokotho is a bristling example of protest theatre making during the height of apartheid. Created in ensemble fashion in 1986 by director Phyllis Klotz in collaboration with performers Thobeka Maqhutyana, Nomvula Qosha and Poppy Tsira, this play stands as a contemporary South African classic. The play focuses on three central characters: Sdudla, Mambhele and Mampompo living and working in