Olivier G. Fatton – Coco art theory This catalogue documents both the

This catalogue documents both the artworks and the almost 300 books on view at an eponymous exhibition at the Mechelen Cultural Centre

Through a sharp sense of colour

fetishised or otherwise enticing object in the context of the photographic form

Anastasiia’s report is above all an interpretation and exploration of her daily life and a reflection on security and warmth in times of confusing propaganda and war violence

Via an exchange of letters with Anselm Franke

Olivier G. Fatton – Coco art theory This catalogue documents both theOlivier Fatton met Coco on a Sunday in November 1989. This "light, yet so melancholy angel" fascinated the photographer from the first moment. While having a coffee in a Bernese gay pub, they make a photographic contract: Coco poses for him and Fatton documents her gender adjustment. The pact became a love affair during which Fatton made numerous shots of Coco. Intimate portraits, staged fashion photography, at home, on the road, in clubs and in the